Ways of getting across

I typically get pretty excited about songs with dance beats and bass lines. But this one song I just got too excited about last September. It was a little vindictive, a little disruptive, and it sang to me at that moment because, well, that's what I needed. Not all songs could have done that for me then, and that song might not do that ever again. I understood then what musicians do - they have to understand the field of people. They have to capture them at that moment in the most effective way possible, because music is based in a dimension of time that reeks of transience. 

Visual artists do something a little different, but they are fixated on vision. But what are our eyes and our visual cortices? Take Descartes' spectrum - no one has the same answer for when colors begin or end. I, for one, might never be able to perceive any craft in the way it was intended. If the back of my brain developed a little atypically, I might not even be able to see anything in a way I can even describe to other people.

Writing is different. It is so limited. One has to abide by language and its fickle structures which impose on the mind endless amounts of unnatural conflict, contrasts and equalities. One relies on only the words that humans have been unimaginative enough to invent, and not all humans at that. But with words I can move within a field of ideas that can escape body, time and space. But, then again, maybe I just haven't accessed the skill to do this with anything but words.

- Yann Martel, from The Facts Behind the Helsinki Roccamatios

"I would also have to convince him that he had no choice, that this storytelling wasn't a game or something on the same level as watching a movie or talking about politics. He would have to see that everything besides the story was useless, even his desperate existential thoughts that did nothing but frighten him. Only the imaginary must count."